Altamont Free Concert

Altamont Speedway Free Festival
Location(s) Altamont Speedway, California, United States
Years active 1969
Founded by The Rolling Stones
Date(s) December 6, 1969
Genre Rock and folk, including blues-rock, folk rock, jazz fusion, latin rock, and psychedelic rock styles.

The Altamont Speedway Free Festival was an infamous rock concert held on Saturday, December 6, 1969, at the Altamont Speedway in northern California, between Tracy and Livermore. Headlined and organized by The Rolling Stones, it also featured, in order of appearance: Santana, Jefferson Airplane, The Flying Burrito Brothers, and Crosby, Stills, Nash & Young, with the Rolling Stones taking the stage as the final act.[1]The Grateful Dead were also scheduled to perform, but declined to play shortly before their scheduled appearance due to the increasing violence at the venue.[2] “That's the way things went at Altamont—so badly that the Grateful Dead, prime organizers and movers of the festival, didn't even get to play,” someone was quoted in Rolling Stone.[3]

Approximately 300,000 people attended the concert, and some anticipated that it would be a "Woodstock West." Filmmakers Albert and David Maysles shot footage of the event and incorporated it into a documentary film entitled Gimme Shelter (1970). The event is best known for having been marred by considerable violence, including one homicide and three accidental deaths: two caused by a hit-and-run car accident and one by drowning in an irrigation canal. Four births were reported during the event as well.[4] Scores were injured, numerous cars were stolen and then abandoned, and there was extensive property damage.[5]

Contents

Planning

The concert originally was scheduled to be held at Golden Gate Park in San Francisco. However, a previously scheduled San Francisco 49ers football game at Kezar Stadium, located in Golden Gate Park, the weekend of December 6–7 made that venue impractical, and permits were never issued for the concert. The venue was then changed to the Sears Point Raceway, but after a dispute with Sears Point's owner, Filmways, Inc., over film distribution rights, the festival was moved to the Altamont Raceway at the suggestion of its then-owner, local businessman Dick Carter. The concert was to take place on Saturday, December 6; the location was switched on the night of Thursday, December 4.

In making preparations, the Dead's manager Rock Scully and show co-producer Michael Lang helicoptered over the site before making the selection, much as Lang had done when the Woodstock Festival was moved at the last moment from Wallkill, New York to Bethel, New York.[6]

The move resulted in numerous logistical problems including a lack of facilities such as portable toilets and medical tents. The move also created a problem for the stage design; instead of being on top of a rise, which suited the geography at Sears Point, at Altamont the stage would now be at the bottom of a slope. The Rolling Stones' stage manager on the 1969 tour, Chip Monck, explained that "the stage was one metre high – 39 inches for us - and [at Sears Point] it was on the top of a hill, so all the audience pressure was back upon them".[7] Because of the short notice for the change of location, the stage couldn't be changed. "We weren’t working with scaffolding, we were working in an older fashion with parallels. You could probably have put another stage below it … but nobody had one," Monck said.[7]

Because the stage was so low, members of the Hells Angels motorcycle club, led by Oakland chapter head Ralph 'Sonny' Barger, were asked to surround the stage to provide security.[4][8]

Security

By some accounts, the Hells Angels were hired as security by the management of the Rolling Stones, against the advice of the Grateful Dead's Jerry Garcia, for $500 worth of beer — a story that has been denied by parties who were directly involved. According to Rolling Stones' road manager Sam Cutler, "the only agreement there ever was ... the Angels would make sure nobody tampered with the generators, but that was the extent of it. But there was no 'They're going to be the police force' or anything like that. That's all bollocks."[9] The deal was made at a meeting between Cutler, Grateful Dead manager Rock Scully, and a Hell's Angel called Pete Knell, of the Angels' San Francisco chapter.[7] According to Cutler, the arrangement was that all the bands lined up for the free concert were supposed to share the $500 cost for beer to pay the Angels, "[but] the person who paid it was me, and I never got it back, to this fucking day.” [7]

Hells Angels member Sweet William recalled this exchange between Cutler and himself at a meeting prior to the concert, where Cutler had asked them to provide security:

"We don't police things. We're not a security force. We go to concerts to enjoy ourselves and have fun."
"Well, what about helping people out - you know, giving directions and things?"
"Sure, we can do that."

When Cutler asked how they would like to be paid, William replied, "we like beer."[9] In the documentary Gimme Shelter Sonny Barger states that the Hells Angels were not interested in policing the event, and that organizers had told him that he and his fellow Angels would be required to do little more than sit on the edge of the stage and drink beer and just make sure there weren't any murders or rapes going on. Other accounts also state that the initial arrangement was for the Hells Angels to watch over the equipment, but that Cutler later moved them, and their beer, near the stage to placate them or to protect the stage.

In 2009, Cutler explained his decision to use the Angels. “I was talking with them, because I was interested in the security of my band - everyone’s security, for that matter. In the country of the blind, the one-eyed man is king. They were the only people who were strong and together. [They had to protect the stage] because it was descending into absolute chaos. Who was going to stop it?” [7] Grateful Dead manager Rock Scully said if the Angels hadn't been on the stage, "that whole crowd could have easily passed out, and rolled down onto the stage. There was no barrier." [7]

Stefan Ponek, who hosted a December 7, 1969, KSAN-FM radio broadcast of a four-hour, "day after" post-concert telephone call-in forum (and who also helped organize the event), provided the following for the 2000 release of the Gimme Shelter DVD: "What we learned in the broadcast was pretty much startling: These guys - the Angels - had been hired and paid with $500 of beer, on a truck with ice, to essentially bring in the Stones and keep people off the stage. That was the understanding, that was the deal. And it seemed like there was not a lot of disagreement over that; that seemed to emerge as a fact, because it became rather apparent that the Stones didn't know what kind of people they were dealing with."

The Gimme Shelter DVD contains extensive excerpts from that broadcast. A Hell's Angels member who identified himself as "Pete, from Hells Angels San Francisco" (most likely Pete Knell, president of the San Francisco chapter), says "They offered us $500 worth of beer (to) go there and take care of the stage...we took this $500 worth of beer to do it." Sonny Barger, who also called into the KSAN forum, states: "We were told by one of the (other Hells Angels) clubs if we showed up down there (and) sat on the stage and drink some beer..that the Stones manager or somebody had bought for us." In his lengthy call, Barger mentions the beer deal yet again: "I ain't no cop, I ain't never going to ever pretend to be no cop. I didn't go there to police nothing, man. They told me if I could sit on the edge of the stage so nobody could climb over me, I could drink beer until the show was over. And that's what I went there to do." Emmett Grogan (founder of the radical community-action group, the Diggers), who was intimately involved in the organization of the event (especially at the two earlier-planned venues), confirmed the $500 beer arrangement on that same KSAN forum with Ponek.

"Pete" also tells host Ponek that the Angels were hired by Cutler due to some rowdy, anxious on-stage incidents during the Stones' Oakland and Miami concerts weeks earlier that Fall 1969 tour. As security guards, Pete says "We ain't into that security", but they agreed after the beer offer. He said other than being told to "just keep people off the stage", Cutler gave the Hells Angels very little specific instructions for stage security: "They didn't say nothing to us about any of that." And although the Angels are not security guards, "If we say we're going to do something, we do it. If we decide to do it, it's done. No matter what, how far we have to go to do it." (The similar lack of detailed security instructions by the concert's management was also mentioned by Barger during his telephone call-in.)

Altamont Speedway owner Dick Carter hired hundreds of professional, plainclothes security guards, ostensibly more for the purpose of protecting his property rather than for the safety and well-being of the concertgoers. (Barger mentions these guards, as identified by their wearing of "little white buttons".)

Since Ken Kesey had invited the Hells Angels to one of his outdoor Acid Tests, the bikers had been perceived by the hippies as akin to "noble savages".[10] They were considered "outlaw brothers of the counterculture". They had provided security at Grateful Dead shows without reported violence. Further, the Rolling Stones may have been misled by their experience with a British contingent of self-described "Hells Angels", a non-outlaw group of admirers of American biker-gear, who had provided nonviolent security at a free concert the Stones had given earlier that year in Hyde Park, London.[10] Cutler claims he never had any illusions about the nature of Californian Hell's Angels ("That’s another canard foisted on the world by the press", he said [7]), but Rock Scully remembers explaining to the Stones what the 'real' Angels were like after watching the Hyde Park concert.[7]

Although peaceful at first, over the course of the day, the mood of both the crowd and the Angels became progressively agitated, intoxicated and violent. The Angels had been drinking their free beer all day in front of the stage, and most were highly drunk. Fueled by LSD and amphetamines, the crowd had also become antagonistic and unpredictable, attacking each other, the Angels, and the performers. By the time the Rolling Stones took stage in the early evening, the mood had taken a decidedly ugly turn as numerous fights had erupted between Angels and crowd members and within the crowd itself. Denise Jewkes of local San Francisco rock band the Ace of Cups, six months pregnant, was hit in the head by an empty beer bottle thrown from the crowd and suffered a skull fracture. The Angels proceeded to arm themselves with sawn-off pool cues and motorcycle chains to drive the crowd further back from the stage.

After the crowd (perhaps accidentally) toppled one of the Angels' motorcycles, the Angels became even more aggressive, including toward the performers. Marty Balin of Jefferson Airplane was punched in the head and knocked unconscious by an Angel during the band's set, as seen in the documentary film Gimme Shelter[4] The Grateful Dead had been scheduled to play between Crosby, Stills & Nash and The Rolling Stones, but after hearing about the Balin incident from Santana drummer Michael Shrieve, they refused to play and left the venue, citing the quickly degenerating security situation.

The Rolling Stones waited until sundown to perform. Stanley Booth stated that part of the reason for the delay was that Bill Wyman had missed the helicopter ride to the venue.[11] When they began their set, a tightly packed group of between 4,000 and 5,000 jammed to the very edge of the stage, and many attempted to climb onto it.[12]

Death of Meredith Hunter

Lead singer Mick Jagger of the Rolling Stones, who had already been punched by a concertgoer within seconds of emerging from his helicopter[4][8], was visibly intimidated by the unruly situation, urging everyone to "Just be cool down in the front there, don't push around." Within a minute of starting their third song, "Sympathy for the Devil", a fight erupted in the front of the crowd, at the foot of the stage. After a lengthy pause and another appeal for calm, the band restarted "Sympathy" and continued their set with less incident until the start of "Under My Thumb". Some of the Hells Angels got into a scuffle with Meredith Hunter, age eighteen, when he attempted to get onstage with other fans. One of the Hells Angels grabbed Hunter's head, punched him, and chased him back into the crowd. At that point, Hunter returned to the stage where, according to Gimme Shelter producer Porter Bibb, Hunter's girlfriend Patty Bredahoff found him and tearfully begged him to calm down and move further back in the crowd with her; but he was reportedly enraged, irrational and so high he could barely walk.[13] Rock Scully, who could see the audience clearly from the top of a truck by the stage, said of Hunter, “I saw what he was looking at, that he was crazy, he was on drugs, and that he had murderous intent. There was no doubt in my mind that he intended to do terrible harm to Mick or somebody in the Rolling Stones, or somebody on that stage." [7]

Footage from the documentary shows Hunter (seen in the film in a bright lime-green suit) drawing a long-barreled revolver from his jacket, and Hells Angel Alan Passaro, armed with a knife, running at Hunter from the side, parrying the gun with his left hand and stabbing him with his right. The footage was shot by Eric Saarinen who was on stage taking pictures of the crowd. Eric was unaware of having caught the homicide on film. This was discovered more than a week later when rushes were screened in the New York offices of the Maysels Brothers. In the film sequence, lasting about two seconds, a two-metre opening in the crowd appears, leaving Patty Bredahoff in the center, Hunter enters the opening from the left, his hand rises and the silhouette of a revolver is clearly seen against Patty's light dress, a muzzle flash could be construed or perhaps it is just the film grain, Passaro is seen entering from the right and delivering only two stabs as he pushes Hunter off screen and the opening closes around Patty. Passaro is reported to have stabbed Hunter five times in the upper back. Witnesses also reported Hunter was stomped on by several Hells Angels while he was on the ground.[14][15] The gun was recovered and turned over to police. Hunter's autopsy confirmed he was high on methamphetamine when he died.[16] Passaro was arrested and tried for murder in the summer of 1971, but was acquitted after a jury viewed concert footage [17] showing Hunter brandishing the revolver and concluded that Passaro had acted in self-defence.

The Rolling Stones were aware of the skirmish, but not the shooting and felt that if they had stopped playing then the crowd would become even more unruly and start to riot, leading to more chaos.

On May 25, 2005, the Alameda County Sheriff's Office announced that it was officially closing the stabbing case. Investigators, concluding a renewed two-year investigation, dismissed the theory of a second Hells Angel taking part in the stabbing.[18]

Reactions

The Altamont concert is often contrasted with the Woodstock festival that took place less than four months earlier. While Woodstock represented "peace and love", Altamont came to be viewed as the end of the hippie era and the de facto conclusion of late-1960s American youth culture: "Altamont became, whether fairly or not, a symbol for the death of the Woodstock Nation."[19][20][21] Rock music critic Robert Christgau wrote in 1972 that "Writers focus on Altamont not because it brought on the end of an era but because it provided such a complex metaphor for the way an era ended".[22]

Jefferson Airplane drummer Spencer Dryden was disillusioned by Altamont and left the group two months later. Future rock concerts were banned at the site.

The Grateful Dead wrote several songs about, or in response to, what lyricist Robert Hunter called "the Altamont affair", including "New Speedway Boogie" (featuring the line "One way or another, this darkness got to give") and "Mason's Children". Both songs were written and recorded during sessions for the early 1970 album Workingman's Dead, but "Mason's Children" was viewed as too "popular" stylistically and was consequently not included on the album.

Don McClean's song American Pie alludes to the Altamont Free Concert.

The song Transmaniacon MC by Blue Öyster Cult supposedly alludes to the events at Altamont among other things.

The concert is repeatedly mentioned in Norman Spinrad's 1987 novel Little Heroes as one of the major events in the life of the main female protagonist.[23]

In 2008 a former FBI agent asserted that some members of the Hell's Angels had conspired to murder Mick Jagger in retribution for The Rolling Stones' lack of support following the concert, and for the negative portrayal of the Angels in the film. The conspirators reportedly used a boat to approach a residence where Jagger was staying on Long Island, New York; the plot failed when the boat was nearly sunk by a storm. Jagger's spokesperson has refused to comment on the matter.[24]

The Seth Putnam led Grindcore band Insult wrote a song titled "Altamont Was Cool" which was released on their Split CD with Ruido in 1998.

The Australian band Black Cab, released an album in 2004 entitled Altamont Diary. Loosely based on the Altamont Free Concert, it features a cover of the Grateful Dead song "New Speedway Boogie". Sam Cutler became involved with the band's second release "Jesus East" after hearing of "Altamont Diary".

American artist Sam Durant referenced the Altamont Free Concert in his 1998 sculptural installation "Partially Buried 1960s/70s Dystopia Revealed (Mick Jagger at Altamont) & Utopia Reflected (Wavy Gravy at Woodstock)."[25]

Set lists

The Rolling Stones

References

  1. ↑ Wyman, Bill (2002). Rolling With the Stones. DK Publishing. pp. 350–355. ISBN 0-7894-9998-3. 
  2. ↑ Lydon, Michael (September 1970). "An Evening with the Grateful Dead". Rolling Stone. 
  3. ↑ "Let it Bleed". Rolling Stone. January 21, 1970. 
  4. ↑ 4.0 4.1 4.2 4.3 The Rolling Stones et al.. (1970) (DVD released 2000). Gimme Shelter. Criterion. 
  5. ↑ Viewing the Remains of a Mean Saturday Village Voice December 18, 1969
  6. ↑ Inside History of the Grateful Dead by Dennis McNally - Broadway (August 12, 2003) ISBN 0767911865
  7. ↑ 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 7.8 Curry, David. 'Deadly Day for the Rolling Stones'. The Canberra Times. December 5, 2009.
  8. ↑ 8.0 8.1 Sragow, Michael (August 10, 2000). "Gimme Shelter: The True Story". Salon.com. http://archive.salon.com/ent/col/srag/2000/08/10/gimme_shelter/index.html. Retrieved 2009-07-07. 
  9. ↑ 9.0 9.1 McNally, p. 344
  10. ↑ 10.0 10.1 Miller, James. Flowers in the Dustbin: The Rise of Rock and Roll, 1947-1977. Simon & Schuster (1999), pp. 275-77. ISBN 0-684-80873-0.
  11. ↑ Booth, Stanley (2000). The True Adventures of the Rolling Stones (2nd edition). A Capella Books. ISBN 1-55652-400-5. 
  12. ↑ The Capital, April 20, 1970
  13. ↑ Osgerby, Bill (2005). Biker: Truth and Myth: How the Original Cowboy of the Road Became the Easy Rider of the Silver Screen. Globe Pequot. p99. ISBN 1-592-28841-3.
  14. ↑ Burks, John (1970-02-07). "Rock & Roll's Worst Day: The Aftermath of Altamont". Rolling Stone. 1. http://www.rollingstone.com/news/story/5934386/rock__rolls_worst_day. Retrieved on 2008-11-16.
  15. ↑ Burks, John (1970-02-07). "Rock & Roll's Worst Day: The Aftermath of Altamont". Rolling Stone. 2. http://www.rollingstone.com/news/story/5934386/rock__rolls_worst_day/2. Retrieved on 2008-11-16.
  16. ↑ Lee, Henry K. (2005-05-26). "Altamont 'cold case' is being closed: Theory of second stabber debunked by Sheriff's Dept.". sfgate.com. http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2005/05/26/ALTAMONT.TMP#ixzz0UvTWCi8g. Retrieved 2009-10-25. 
  17. ↑ "Movie of Slaying at Rock Fest Is Key Evidence in Coast Trial". The New York Times. 10 January 1971. 
  18. ↑ USA TODAY, Investigators close decades old Altamont killing case
  19. ↑ Mark Hamilton Lytle (2006). America's Uncivil Wars: The Sixties Era from Elvis to the Fall of Richard Nixon. Oxford University Press, p 336. ISBN 0195174968.
  20. ↑ Ill-Fated Altamont Is A Far More Fitting Symbol Of The '60s Than Glorified Woodstock Hartford Courant August 9, 2009
  21. ↑ Rolling Stones at Altamont BBC 2 Seven Ages of Rock
  22. ↑ The Rolling Stones: Can't Get No Satisfaction Robert Christgau originally published in Newsday July 1972
  23. ↑ Spinrad, Norman (1989). Little Heroes. Hunter Publishing Inc.. ISBN 978-0586203620. 
  24. ↑ Jagger 'escaped gang murder plot' BBC March 3, 2008
  25. ↑ Meyer, James. “Impure Thoughts: The Art of Sam Durant.” Artforum 38, no. 8 (April 2000): 112-17. Available online at http://findarticles.com/p/articles/mi_m0268/is_8_38/ai_61907732/

Further reading

Outlaw Motorcycle Clubs
Clubs
Bandidos · The Breed · Brother Speed · Comanchero · Devils Diciples · Diablos · The Finks · Free Souls · Grim Reapers · Gypsy Joker · Hells Angels · Highwaymen · Iron Horsemen · Mongols · Outlaws · Pagans · Rebels · Sons of Silence · Vagos · Warlocks (Pennsylvania · Florida)
Individuals
Sonny Barger · Maurice Boucher · Harry Joseph Bowman · Ruben Cavazos · Donald Eugene Chambers · Ion Croitoru · Paul Eischeid · Mark Guardado · Jan Krogh Jensen · Michael Ljunggren · Thomas Möller · Jørn Nielsen · Alan Passaro · Martin Schippert · Jim Tinndahn · Yves "Apache" Trudeau · Alex Vella · Edward Winterhalder · Chuck Zito
Related events
Altamont Free Concert · Great Nordic Biker War · Hollister Riot · Lennoxville Massacre · Milperra Massacre · Operation Black Rain · Quebec Biker War · River Run Riot · Shedden Massacre
Other
List of outlaw motorcycle clubs · AK81 · Notorious